segunda-feira, abril 25, 2011
domingo, abril 24, 2011
Just
Wanna Surf..
Aloha and Mahalo for reading
Smescondidas - Sea Movies from www.KORDUROY.tv on Vimeo.
Wanna Surf..
Aloha and Mahalo for reading
segunda-feira, abril 11, 2011
Are you
Out of Place? :D
Aloha and Mahalo for reading
Out Of Place Trailer from Kurt P Vincent on Vimeo.
Out of Place? :D
Aloha and Mahalo for reading
quarta-feira, abril 06, 2011
Clay
Rips Hard :D
Aloha and Mahalo for reading
Clay Marzo - April Foolin Around from Heavy Mayo on Vimeo.
Rips Hard :D
Aloha and Mahalo for reading
terça-feira, abril 05, 2011
quarta-feira, fevereiro 16, 2011
sexta-feira, fevereiro 11, 2011
segunda-feira, janeiro 31, 2011
Perfect Lines
;)
Aloha and Mahalo for reading
Russ Short – 3 Fin Bonzer - Mexico ‘77 from Campbell Brothers Surfboards on Vimeo.
;)
Aloha and Mahalo for reading
quarta-feira, janeiro 19, 2011
Fish Design

The Fish was originally designed in the early '70s as a board that could be used as a kneeboard and stand-up surfboard, hence its designation as a hybrid. At the time, many surfers were infatuated with the new concept of "total involvement" surfing. Just how deep and tight a rider could surf in the curl was still being mapped out, and there were those -- influenced by George Greenough's example -- who thought that perhaps kneeriding was the best path to "total involvement in the curl."
The Fish wasn't the first split-tailed board, nor was it the first twin-fin. Both of these designs had been done in balsa as far back as Bob Simmons' and even Tom Blake's time. In fact, ultra-short twin-fins were already making the rounds in the very early '70s, before Steve Lis is credited with combining both the split tail (swallow) and the twin-fin into what came to be known as the "Fish."
The Fish was the epitome of the backyard board. The backyard revolution was sweeping through the surfing world in the late '60s and early '70s, as new ideas came faster -- and old dogma tossed away more readily -- than the big-time, cookie-cutter surf industry could react to in time. The Fish was designed in obscurity and popularized by word of mouth -- in direct contrast to the over-hyped and superstar-endorsed log models put out by the major manufacturers at that time.
A Fish board, as ridden by Reno Abellira, was the seminal board that begat the Mark Richards twin-fin era in the late '70s, and the original Fish design is still popular today. At around five-and-a-half feet in length and at least 21 inches wide, the outline appears anything but racy, but that's exactly what the fish offers. It's a potent design; even period boards that are shackled with some of the cruder features that were standard in the '70s can be much faster than a modern "high-performance" shortboard. Perhaps that is why so many young hotties scrounge garage sales and used board racks to find a vintage Fish that will give them a taste of blinding horizontal speed that the modern shortboard lacks.
Of course, the array of spin-offs that cropped up in the mid-90s and continue today -- each with its own model name, dimensions and fin arrangements -- can't rightly be called Fish. Such postmodern are generally just slightly wider shortboards with swallowtails. (The younger generation of surfers using them generally ride widths of 17.5 inches to 18.5 inches; so any board over 19 inches would be the equivalent of the '70s or early '80s surfer riding a 21-inch wide board.)
First sparked by Tom Curren's 1992 J-Bay speed run on one of Derek Hynd's custom, keel-fin Skip Fryes, high-performance fans tended to 'split the difference' between their standard dimensions and fin set-ups and the original Fish concept -- adding an inch or so of width and maybe a tiny-trailer between two normal fins. Other additions came over the next 10 to 15 years -- including a shift in popularity from twins to quads, and more pulled in tails for turns.
No matter the interpretation, such fuller, more balanced outlines and flatter rockers offered much more speed and easy lift in junk surf and showed where hotdog surfboard design was heading, best represented by the late 2000's arrival of boards like of Lost's "Rocket" or Dane Reynolds' "Dumpster Diver." (Proof that even a truly sensible or functional trend in surfboard design must be camouflaged with a gimmicky names or a superstar rider to appeal to a certain market.)
In the end, all forms of Fish are really just hipper versions of the funboard philosophy, adding some foam to make surfing more enjoyable. And though all may borrow more from the mid-'80s tri-fin than it does from the more extreme Lis Fish, they remain a welcome alternative to the super-narrow, rockered-out designs of previous decades.
-- Dave Parmenter (updated, December 2009)
Text taken from surfline.com
Aloha and Mahalo for reading

The Fish was originally designed in the early '70s as a board that could be used as a kneeboard and stand-up surfboard, hence its designation as a hybrid. At the time, many surfers were infatuated with the new concept of "total involvement" surfing. Just how deep and tight a rider could surf in the curl was still being mapped out, and there were those -- influenced by George Greenough's example -- who thought that perhaps kneeriding was the best path to "total involvement in the curl."
The Fish wasn't the first split-tailed board, nor was it the first twin-fin. Both of these designs had been done in balsa as far back as Bob Simmons' and even Tom Blake's time. In fact, ultra-short twin-fins were already making the rounds in the very early '70s, before Steve Lis is credited with combining both the split tail (swallow) and the twin-fin into what came to be known as the "Fish."
The Fish was the epitome of the backyard board. The backyard revolution was sweeping through the surfing world in the late '60s and early '70s, as new ideas came faster -- and old dogma tossed away more readily -- than the big-time, cookie-cutter surf industry could react to in time. The Fish was designed in obscurity and popularized by word of mouth -- in direct contrast to the over-hyped and superstar-endorsed log models put out by the major manufacturers at that time.
A Fish board, as ridden by Reno Abellira, was the seminal board that begat the Mark Richards twin-fin era in the late '70s, and the original Fish design is still popular today. At around five-and-a-half feet in length and at least 21 inches wide, the outline appears anything but racy, but that's exactly what the fish offers. It's a potent design; even period boards that are shackled with some of the cruder features that were standard in the '70s can be much faster than a modern "high-performance" shortboard. Perhaps that is why so many young hotties scrounge garage sales and used board racks to find a vintage Fish that will give them a taste of blinding horizontal speed that the modern shortboard lacks.
Of course, the array of spin-offs that cropped up in the mid-90s and continue today -- each with its own model name, dimensions and fin arrangements -- can't rightly be called Fish. Such postmodern are generally just slightly wider shortboards with swallowtails. (The younger generation of surfers using them generally ride widths of 17.5 inches to 18.5 inches; so any board over 19 inches would be the equivalent of the '70s or early '80s surfer riding a 21-inch wide board.)
First sparked by Tom Curren's 1992 J-Bay speed run on one of Derek Hynd's custom, keel-fin Skip Fryes, high-performance fans tended to 'split the difference' between their standard dimensions and fin set-ups and the original Fish concept -- adding an inch or so of width and maybe a tiny-trailer between two normal fins. Other additions came over the next 10 to 15 years -- including a shift in popularity from twins to quads, and more pulled in tails for turns.
No matter the interpretation, such fuller, more balanced outlines and flatter rockers offered much more speed and easy lift in junk surf and showed where hotdog surfboard design was heading, best represented by the late 2000's arrival of boards like of Lost's "Rocket" or Dane Reynolds' "Dumpster Diver." (Proof that even a truly sensible or functional trend in surfboard design must be camouflaged with a gimmicky names or a superstar rider to appeal to a certain market.)
In the end, all forms of Fish are really just hipper versions of the funboard philosophy, adding some foam to make surfing more enjoyable. And though all may borrow more from the mid-'80s tri-fin than it does from the more extreme Lis Fish, they remain a welcome alternative to the super-narrow, rockered-out designs of previous decades.
-- Dave Parmenter (updated, December 2009)
Text taken from surfline.com
Aloha and Mahalo for reading
terça-feira, janeiro 18, 2011
sexta-feira, janeiro 07, 2011
quinta-feira, dezembro 30, 2010
terça-feira, dezembro 28, 2010
quarta-feira, dezembro 22, 2010
segunda-feira, dezembro 20, 2010
The Sea
My Soul... ;)
Aloha and Mahalo for reading
'El Mar, Mi Alma' preview from Blake HJ Copland on Vimeo.
My Soul... ;)
Aloha and Mahalo for reading
quarta-feira, dezembro 15, 2010
terça-feira, dezembro 07, 2010
DIY
Holiday Cards ;)
ALoha and Mahalo for reading
Make your Own Holiday Cards - Surf Sufficient from www.KORDUROY.tv on Vimeo.
Holiday Cards ;)
ALoha and Mahalo for reading
sexta-feira, dezembro 03, 2010
segunda-feira, novembro 29, 2010
Good Days
Kindaa ;)
Aloha and Mahalo for reading
GOOD kinda OLD DAYS - Sea Movies from www.KORDUROY.tv on Vimeo.
Kindaa ;)
Aloha and Mahalo for reading
sexta-feira, novembro 26, 2010
10 & Beyond
Aloha and Mahalo for reading
Kelly Slater_10 & BEYOND from Grupo Sal on Vimeo.
After Duke Kelly´s the King... ;)Aloha and Mahalo for reading
quarta-feira, novembro 24, 2010
My Way
Is the way of the Ocean ;)
Aloha and Mahalo for reading
WAY OF THE OCEAN - Official Trailer from CIRCULATE on Vimeo.
Is the way of the Ocean ;)
Aloha and Mahalo for reading
sábado, novembro 06, 2010
terça-feira, novembro 02, 2010
terça-feira, outubro 26, 2010
California
Sunrise..
Wanna come over? ;)
Aloha and Mahalo for reading
Dirty Gold - California Sunrise from Panaframe ▲ on Vimeo.
Sunrise..
Wanna come over? ;)
Aloha and Mahalo for reading
quarta-feira, outubro 13, 2010
Listen
Carefully... ;)
'ANAPANAPA,
The stars are
I TE MAU FETI'A.
shining through tonight.
'I TERA PO MATA'I,
Feeling this night breeze,
TE PAE MITI NOA TAUA
there we stand by the ocean.
CHORUS:
A)-'OE I MUA IA'U,
As you sit by me,
MAI TE MEA MATAMUA,NO TA'U NEI HINA'ARO,
you're the very first thing I long for.
'OE TE TIARE HUA 'AI TE PO.
Gazing at you remind me of a "Tiare" flower that closes-in at nightfall.
B)-'OE I MUA IA'U,
As you stand by me,
MAI TE MOEMOEA IA, NO TO'U NEI ORARA'A,
you're the one I dream of and want to be part in my life.
'OE TE TIARE HUA 'AI TE PO.
Gazing at you remind me of a "Tiare" flower that closes-in at nightfall.
Aloha and Mahalo for reading
Carefully... ;)
'ANAPANAPA,
The stars are
I TE MAU FETI'A.
shining through tonight.
'I TERA PO MATA'I,
Feeling this night breeze,
TE PAE MITI NOA TAUA
there we stand by the ocean.
CHORUS:
A)-'OE I MUA IA'U,
As you sit by me,
MAI TE MEA MATAMUA,NO TA'U NEI HINA'ARO,
you're the very first thing I long for.
'OE TE TIARE HUA 'AI TE PO.
Gazing at you remind me of a "Tiare" flower that closes-in at nightfall.
B)-'OE I MUA IA'U,
As you stand by me,
MAI TE MOEMOEA IA, NO TO'U NEI ORARA'A,
you're the one I dream of and want to be part in my life.
'OE TE TIARE HUA 'AI TE PO.
Gazing at you remind me of a "Tiare" flower that closes-in at nightfall.
Aloha and Mahalo for reading
terça-feira, outubro 12, 2010
segunda-feira, outubro 04, 2010
sábado, outubro 02, 2010
I need
Quando estou no mar
Me sinto bem
Tá tudo zen
Paro de pensar
E os problemas ficam na areia
Quando a série entrar
Eu vou remar em direção
A linha do horizonte
Não posso explicar
Aquilo que sinto
Mas eu posso garantir que não há nada
Que um bom dia de surf não cure
Não há nada que um bom dia de surf não cure
Quando estou no mar
Eu sinto a paz
Que o vento traz
Olho ao meu redor
E agradeço aquele momento
Pois, quando a série entrar
Eu vou remar em direção
A linha do horizonte
Não posso explicar
Aquilo que sinto
Mas eu posso garantir que não há nada
Que um bom dia de surf não cure
Me sinto bem
Tá tudo zen
Paro de pensar
E os problemas ficam na areia
Quando a série entrar
Eu vou remar em direção
A linha do horizonte
Não posso explicar
Aquilo que sinto
Mas eu posso garantir que não há nada
Que um bom dia de surf não cure
Não há nada que um bom dia de surf não cure
Quando estou no mar
Eu sinto a paz
Que o vento traz
Olho ao meu redor
E agradeço aquele momento
Pois, quando a série entrar
Eu vou remar em direção
A linha do horizonte
Não posso explicar
Aquilo que sinto
Mas eu posso garantir que não há nada
Que um bom dia de surf não cure
To get back Home and Surf
Aloha and Mahalo for reading
sexta-feira, outubro 01, 2010
Surf and Surf
Choro por dentro
E lembro quando a gente ia pro mar (ia pro mar)
Quando chega a noite
Lembro do tempo
Que a gente costumava viajar no pensamento
E os reggaes que a gente ouvia
Em mim tudo era alegria
Eu me sentia bem quando estava com você
Meu bem, meu erro foi te perder
Por isso vou surfar
Pra esquecer
Vou flutuar nas ondas do mar
Pra relaxar
Vou surfar pra esquecer
Vou flutuar nas ondas do mar
Sorrimos juntos
Choramos também
Seus olhos verdes me faziam transpirar
Não sei se mentiu, só sei que acreditei
No motivo que fez você me deixar
Quando só amigos
Nunca imaginei
Que um belo dia a gente fosse se amar
Pra mim você foi presente de Jah do poderoso Jah
Mas veio e foi sem mesmo eu esperar por isso eu vou surfar
Vou surfar Pra esquecer
Vou flutuar nas ondas do mar
Pra relaxar
vou surfar pra esquecer
Vou flutuar nas ondas do mar do mar
Vou surfar pra esquecer
Vou flutuar nas ondas do mar.
Aloha and Mahalo for reading
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